View
Home Collection Studio Journal About Contact

YOUR CART

Your bag is currently empty.

HANDMADE / SMALL BATCH / EST. 2012

MADE
SLOWLY.

Vessels, ceramic optical frames, and studio objects shaped by hand, fire, and patience.

EXPLORE THE COLLECTION →
01 / THE BEGINNING

Clay and optical glass remember every touch.

Founded in a sun-drenched studio, shopingoliver merges tactile ceramic art with functional design. From raw stoneware vessels to terracotta eyeglass stands and glazed spectacle frames, each piece celebrates slow craft.

READ OUR STORY →
Hands shaping clay
Artisanal Spectacles
Glaze detail
Kiln firing
FROM EARTH
TO VISION
OUR CRAFT

THE MAKING PROCESS

01

FIND

Sourcing raw local clay beds and precision optical glass components.

02

SHAPE

Hand-throwing vessels and sculpting ceramic eyewear bridge joints on the wheel.

03

FIRE

Bisque and high-glaze firings reaching over 1200°C for ceramic durability.

04

FINISH

Hand-assembling glass lenses, sanding bases, and inspecting clarity.

NOT PERFECT.
NOT IDENTICAL.
THAT'S THE POINT.

Whether it is a morning coffee cup or a pair of custom stoneware-rimmed reading glasses, we celebrate organic variations. The subtle glaze shifts and tactile textures reflect the living signature of the studio.

DISCOVER OUR PROCESS →
CERAMICS — EYEWEAR — TABLEWARE — GLASSWARE — OBJECTS — EYEGLASS RESTS — CERAMICS — EYEWEAR —
ONE
OF
ONE
Clay Spectacles
SIGNATURE PIECE

CLAY & GLASS SPECTACLES

  • • Hand-sculpted ceramic temples & rims
  • • Precision anti-reflective optical glass
  • • Custom terracotta case included

₹5,850

EDITORIAL

FROM THE STUDIO

VIEW ALL ARTICLES →
Eyewear Craft DESIGN

Crafting Eyewear from Raw Stoneware

August 20, 2026

Journal article 2 PHILOSOPHY

Why Handmade Things Feel Different

July 29, 2026

Journal article 3 CRAFT

The Tactile Art of Optics and Clay

June 11, 2026

STAY CLOSE TO THE STUDIO.

Receive new collection announcements, studio notes, and stories straight from the kiln.

Already subscribed? Manage your preferences.

You can unsubscribe anytime. No spam, ever.

MADE BY HAND.
KEPT FOR YEARS.

Explore ceramics and optical glass created slowly for everyday living.

CATALOGUE

THE COLLECTION

Small-batch ceramics, optical frames, and studio glass accessories.

Clay Rim Spectacles
VIEW OBJECT →

Clay Rim Spectacles

₹5,850

Blue Ridge Vase
VIEW OBJECT →

Blue Ridge Vase

₹3,800

Sculptural Eyeglass Rest
VIEW OBJECT →

Sculptural Eyeglass Rest

₹2,800

Earth Bowl
VIEW OBJECT →

Earth Bowl No. 04

₹2,400

Clay Carafe
VIEW OBJECT →

Clay Carafe

₹3,200

STUDIO OBJECT

Clay Rim Spectacles

₹5,850

Tactile terracotta-glazed frame accents fused with precision optical glass lenses. Designed to be lightweight yet grounded in natural ceramic texture.

Materials & Optical Specs
High-fire stoneware frame accents, anti-scratch glass lenses with full UV protection.
Care & Adjustment
Clean lenses with soft microfiber cloth. Store in the provided ceramic-padded case.
Handmade Variations
Each ceramic frame retains subtle earthy pigment variations from the high-temperature kiln firing.
OUR WORKSPACE

THE STUDIO

Where raw materials become objects of permanence and purpose

SANCTUARY

A SMALL ROOM WITH CLAY & OPTICAL GLASS.

Tucked away from city noise, our studio operates on quiet time. Workbenches hold drying clay vessels, raw mineral glazes, and optical tools used for setting lenses into ceramic eyewear frames.

The space is intentionally modest—no excess, no distraction. Just the essential tools, natural light, and the focused attention required to transform raw materials into finished objects. Every surface tells a story of process, from the worn wooden workbench to the walls lined with reference books, material samples, and prototypes in progress.

300 sq ft of creative space
4 dedicated workstations
1 kiln for ceramic firing
Studio Detail
Eyewear Crafting
ATMOSPHERE

THE ALCHEMY OF HEAT & TRANSPARENCY.

Firing ceramics and fitting polished optical glass require contrast—one shaped by heat and raw earth, the other by clarity and reflection. In our kiln, both mediums come together naturally.

The kiln reaches temperatures of 1,200°C, transforming soft clay into durable ceramic forms. Meanwhile, the optical bench holds precision tools for grinding, polishing, and setting lenses. These two seemingly opposite processes share a common philosophy: respect for the material and patience in the making.

1,200°C
Kiln temperature
72 hrs
Firing cycle
CRAFT

MATERIALS & PROCESS

Every object begins with a choice of material—and a deep respect for its properties.

🏺

Ceramic Clay

Sourced from ethical suppliers, our clay bodies are formulated for strength, texture, and the unique warmth that only fired earth can provide. Each piece is hand-thrown or slab-built before firing.

Stoneware Porcelain Raku
🔬

Optical Glass

Precision-ground lenses are crafted from high-index optical glass, selected for clarity, weight, and the way they interact with light. Each lens is polished to exacting specifications.

CR-39 Polycarbonate Mineral Glass
🎨

Mineral Glazes

Our glazes are formulated from raw mineral oxides—iron, copper, cobalt, and manganese—mixed in small batches to create unique, unpredictable surface finishes that evolve with use.

Copper Iron Cobalt
RHYTHM

A DAY IN THE STUDIO

The studio operates on a rhythm shaped by materials, seasons, and the pace of making.

Morning
06:00 – 12:00
  • 🌅 Natural light assessment
  • 🏺 Clay preparation & wedging
  • 🔄 Wheel throwing or slab building
Afternoon
12:00 – 17:00
  • 🔍 Lens grinding & polishing
  • 🎨 Glaze mixing & testing
  • 🔥 Kiln loading & firing
Evening
17:00 – 20:00
  • 📝 Process documentation
  • ⚖️ Quality inspection
  • 🧹 Studio reset & preparation
PEOPLE

THE STUDIO TEAM

A small group of makers dedicated to the pursuit of craft.

MV

Marcus Verlaine

Ceramicist & Founder

Third-generation maker with over 20 years of experience in ceramic arts. Trained in Japan and Italy, Marcus brings a global perspective to studio practice.

EK

Elena Kovács

Optical Glass Specialist

Former optical engineer with a passion for precision. Elena oversees lens crafting and the integration of glass into ceramic frames.

JO

James Okonkwo

Glaze Chemist & Finisher

Specialist in mineral glaze formulation and surface finishing. James ensures every piece leaves the studio with a distinctive, lasting finish.

PHILOSOPHY

OBJECTS FOR A LIFETIME

We believe that objects made slowly, with care and attention, become companions for a lifetime. Our work is an antidote to disposability—a celebration of materials that age gracefully and designs that grow more meaningful with use.

Every piece we create is designed to be repaired, restored, and passed on. We reject the planned obsolescence of modern manufacturing in favor of enduring quality and timeless design.

"We don't make objects for the moment. We make them for the decades—for the hands that will hold them tomorrow, and the stories they will carry forward."

— Studio Manifesto
Studio Philosophy
TOOLS

ESSENTIAL EQUIPMENT

The tools that enable our craft.

🔥

Electric Kiln

High-temperature kiln for ceramic firing, reaching up to 1,200°C.

⚙️

Potter's Wheel

Professional-grade wheel for throwing clay vessels with precision.

🔬

Lens Grinder

Precision optical grinder for shaping and polishing glass lenses.

🎨

Glaze Lab

Dedicated space for mineral oxide mixing and glaze formulation.

🏛️

VISIT THE STUDIO

We welcome visitors by appointment to experience the studio, see works in progress, and discuss commissions.

📍 17 Metalworks Lane, London
✉️ studio@dstockmaterials.com
FEATURED STORY

The Tactile Art of Optics & Clay

How we brought earthy stoneware textures into personal eyewear design. Exploring clarity, vision, and handcrafted ceramic frames that bridge the gap between function and art.

In this essay, we trace the journey from raw clay to finished eyewear—examining how traditional ceramic techniques can be reimagined for contemporary wearables, and why the tactile quality of hand-finished surfaces matters in an age of mass production.

📅 August 29, 2026 ⏱️ 7 min read 🏷️ Craft, Design, Ceramics
READ FULL ESSAY →
Eyewear Essay

RECENT ARTICLES

View All →
Article
INSIGHT

What Happens Inside a Kiln?

A behind-the-scenes look at the firing process—from loading to cooling—and how temperature transforms clay into durable ceramic forms.

Aug 28, 2026
Article
JOURNAL

A Morning in the Pottery Studio

A meditation on the quiet rhythm of morning work—wedging clay, centering on the wheel, and the focus required to transform raw material into form.

Aug 26, 2026
Article
PHILOSOPHY

Why We Still Make Things by Hand

In an age of automation, the human hand offers something machines cannot—intuition, imperfection, and the subtle language of touch.

Aug 24, 2026
ESSAY

The Ceramic Eyewear Revolution

How a group of makers is challenging the dominance of plastic and metal frames by bringing ancient ceramic techniques into contemporary eyewear design. Exploring the intersection of tradition, innovation, and wearability.

📅 Aug 20, 2026 ⏱️ 12 min read 🏷️ Innovation, Craft, Design
Read the Essay →
Ceramic Eyewear
Article
MATERIALS

A Guide to Mineral Glazes

An exploration of the raw mineral oxides—copper, iron, cobalt, and manganese—that create the distinctive colors and textures of our ceramic pieces.

Aug 22, 2026
Article
STUDIO LIFE

The Kiln Loading Ritual

There is a quiet ceremony to loading the kiln—arranging pieces with care, ensuring airflow, and the anticipation before the first firing begins.

Aug 19, 2026
Article
DESIGN

From Sketch to Ceramic Frame

A visual journey through the design process—from initial sketches and prototypes to finished ceramic eyewear frames.

Aug 17, 2026

CONTRIBUTORS

MV
Marcus Verlaine
Founder, Ceramicist
12 articles
EK
Elena Kovács
Optical Specialist
8 articles
JO
James Okonkwo
Glaze Chemist
6 articles
MANIFESTO

WE MAKE OBJECTS
FOR SLOWER DAYS.

shopingoliver was born out of a desire to slow down. We craft ceramic homeware and custom ceramic eyewear frames that encourage mindful living—objects that elevate morning coffee rituals, reading, and quiet solitary evenings.

Studio Banner

THANK YOU FOR KEEPING HANDMADE THINGS ALIVE.

GET IN TOUCH

COME SAY HELLO.

Studio: 104 Clayworks Lane, Atelier District

Email: hello@shopingoliver.org

Hours: Tuesday — Saturday, 10am to 5pm